11th Grade Summer Reading

 

Printable (PDF) version-click here

 

 

June 2009
 
Dear High School Students and Parents,
 
            The high school English department is again asking for book reports from each student who is coming to Highland Hall in the fall. These reports are due the first day of class in September (not beach day, unless you are an incoming 9th grader).
 
            Enclosed you will find several pages:
                        -- the book report format/book report grading guidelines
                        -- the list of required books for each grade
                        -- a list of books from which to choose for each grade
                        -- things to be careful of with book reports
                       
 
            We are asking the students to read the required books as well as one book from the appropriate reading list. However, we are only asking for one written book report from the reading list for grades 9 through 12. Students entering 9th grade will take a test on the two required book reports on the first day of school, Tuesday, September 8.
            Reports that do not follow the proper format – for instance, reports that are entirely summaries of the books – will be graded down. A student writing a report on a book that is not on the list will receive a lower grade (two full grades).   The students must remember to be particularly careful about spelling, about double spacing, about using blue or black pen, and about using the correct-sized font (12-point). Students must proofread carefully. Even the most brilliant book reports will be graded down for silly errors.
            Failure to turn in the book reports will result in a lower grade in the next English track. Students cannot receive an A in the English track if they haven’t completed the written book report.
            Thank you for your support. Not only are the students reading great books, they are also practicing necessary writing skills and exercising the ability to summarize and analyze. We also hope they are gaining pleasure from the reading.
 
Sincerely,

Christine Meyer
for the English Department


Summer Before
            Huckleberry Finn - Mark Twain (No written report)
            Picture of Dorian Gray - Oscar Wilde (No written report)
            A written report on a book from the reading list
 
Eurythmy Track
            Cannery Row – John Steinbeck (No written report)
            A written report on a book from the reading list.

The students will write in class about the books for which no report is due.

       Summer reports: 
       Three books should be read during the summer vacation: two required books and one of your choice from the book list.
              10th - 12th Grades: Write one book report from the list. You will be given a test on the two required books. The report is due on the first day of school. Give it to your English teacher during the 10:45 period.
 
       Eurythmy reports:
       You are to read the required book and one book from the appropriate list. Write one report on your choice of books from the list.
      
       The reports are due on the last day of Eurythmy if it is the last track of the school year, or on the first day of the English track that follows the Eurythmy track during the school year. Actual dates will be given when the schedule for the upcoming school year is available.
 
For full credit, all book reports should be given to your English teacher
on the due date. 




Book List for Eleventh Grade
 
James Agee                                      A Death in the Family
Isaac Asimov                                    I, Robot (and others)
James Baldwin                                  Go Tell in on The Mountain
Truman Capote                                 In Cold Blood
Arthur Clarke                                    2001: A Space Odyssey
Wilkie Collins                                   Moonstone
Joseph Conrad                                 Lord Jim
James F. Cooper                              Last of the Mohicans
Isak Dinesen                                    Out of Africa
T.S. Eliot                                          Murder in the Cathedral
E.M. Forster                                      A Passage to India
Graham Greene                                The Power and the Glory
Nathaniel Hawthorne                        The Celestial Railroad and Other Stories
Henrik Ibsen                                     Ghosts, Hedda Gabler
Henry James                                     Daisy Miller
Franz Kafka                                      The Trial
James Jones                                     From Here to Eternity
Sinclair Lewis                                    Babbitt
Jack London                                      Martin Eden
Niccolo Machiavalli                            The Prince
Gabriel Maria Marquez                       100 Years of Solitude
Arthur Miller                                       The Crucible
John Milton                                        Paradise Lost
Flannery O’Connor                             Wise Blood
George Orwell                                   Homage to Catalonia
Eric Maria Remarque                         All Quiet on the Western Front
Edmond Rostand                              Cyrano de Bergerac
Upton Sinclair                                    The Jungle
Willian Styron                                 Confessions of Nat Turner
Alfred Tennyson                                The Idylls of the King
Nathaniel West                                  The Day of the Locust
Herman Wouk                                   The Caine Mutiny
 


Book List Reviews All reviews and synopses are from Amazon.com
 
 James Agee                                         A Death in the Family
Novel by James Agee about a family's reactions to the accidental death of the father. As told through the eyes of six-year-old Rufus Follet, the story emerges as an exploration of conflicts both among members of the family and in society. The differences between black and white, rich and poor, country life and city life, and, ultimately, life and death are richly depicted. Agee used contrasting narratives as a structural device to link the past and present; italicized passages describing the family's life before the fatal automobile accident are incorporated into the primary narrative of the crash and its immediate effects.
 
Isaac Asimov                                       I, Robot (and others)
In this collection, one of the great classics of science fiction, Asimov set out the principles of robot behavior that we know as the Three Laws of Robotics. Here are stories of robots gone mad, mind-reading robots, robots with a sense of humor, robot politicians, and robots who secretly run the world, all told with Asimov's trademark dramatic blend of science fact and science fiction.

James Baldwin                                    Go Tell in on The Mountain
James Baldwin's stunning first novel is now an American classic. With startling realism that brings Harlem and the black experience vividly to life, this is a work that touches the heart with emotion while it stimulates the mind with its narrative style, symbolism, and excoriating vision of racism in America. Moving through time from the rural South to the northern ghetto, starkly contrasting the attitudes of two generations of an embattles family, Go Tell It On The Mountain is an unsurpassed portrayal of human beings caught up in a dramatic struggle and of a society confronting inevitable change.
 
Truman Capote                                    In Cold Blood
With the publication of this book, Capote permanently ripped through the barrier separating crime reportage from serious literature. As he reconstructs the 1959 murder of a Kansas farm family and the investigation that led to the capture, trial, and execution of the killers, Capote generates suspense and empathy.
 
Miguel de Cervantes                            Don Quixote
ADon Quixote, errant knight and sane madman, with the company of his faithful squire and wise fool, Sancho Panza, together roam the world and haunt readers' imaginations as they have for nearly four hundred years.

Arthur Clarke                                       2001: A Space Odyssey
When an enigmatic monolith is found buried on the moon, scientists are amazed to discover that it's at least 3 million years old. Even more amazing, after it's unearthed the artifact releases a powerful signal aimed at Saturn. What sort of alarm has been triggered? To find out, a manned spacecraft, the Discovery, is sent to investigate. Its crew is highly trained--the best--and they are assisted by a self-aware computer, the ultra-capable HAL 9000. But HAL's programming has been patterned after the human mind a little too well. He is capable of guilt, neurosis, even murder, and he controls every single one of Discovery's components. The crew must overthrow this digital psychotic if they hope to make their rendezvous with the entities that are responsible not just for the monolith, but maybe even for human civilization.
 
Joseph Conrad                                    Lord Jim
Originally intended as a short story, the work grew to a full-length novel as Conrad explored in great depth the perplexing, ambiguous problem of lost honor and guilt, expiation and heroism. The title character is a man haunted by guilt over an act of cowardice. He becomes an agent at an isolated East Indian trading post. There his feelings of inadequacy and responsibility are played out to their logical and inevitable end.
 
James F. Cooper                                 Last of the Mohicans
At the centre of the novel is the celebrated 'Massacre' of British troops and their families by Indian allies of the French at Fort William Henry in 1757. Around this historical event, Cooper built a romantic fiction of captivity, sexuality, and heroism, in which the destiny of the Mohican Chingachgook and his son Uncas is inseparable from the lives of Alice and Cora Munro and of Hawkeye the frontier scout.
 
Isak Dinesen                                        Out of Africa
In this book Dinesen gives a true account of her life on her plantation in Kenya. She tells with classic simplicity of the ways of the country and the natives: of the beauty of the Ngong Hills and coffee trees in blossom: of her guests, from the Prince of Wales to Knudsen, the old charcoal burner, who visited her: of primitive festivals: of big game that were her near neighbors--lions, rhinos, elephants, zebras, buffaloes--and of Lulu, the little gazelle who came to live with her, unbelievably ladylike and beautiful.

T.S. Eliot                                              Murder in the Cathedral
A dramatization in verse of the murder of Thomas Becket at Canterbury. "The theatre as well as the church is enriched by this poetic play of grave beauty and momentous decision" (New York Times). "Within its limits the play is a masterpiece.... Mr. Eliot has written no better poem than this and none which seems simpler" (Mark Van Doren, The Nation).

E.M. Forster                                         A Passage to India
Considered one of the author's finest works, the novel examines racism and colonialism as well as the need to maintain both ties to the earth and a cerebral life of the imagination. The book portrays the relationship between the British and the Indians in India and the tensions that arise when a visiting Englishwoman, Adela Quested, accuses a well-respected Indian man, Dr. Aziz, of attacking her during an outing. Aziz has many defenders, including the compassionate Cecil Fielding, the principal of the local college. During the trial Adela hesitates on the witness stand and then withdraws the charges. Aziz and Fielding go their separate ways, but two years later they have a tentative reunion. As they ride through the jungles, an outcrop of rocks forces them to separate paths, symbolizing the racial politics that caused a breach in their friendship.
 
Graham Greene                                   The Power and the Glory
Set in Mexico during the era of anticlerical violence by revolutionaries, the story depicts the martyrdom of the last Roman Catholic priest, who is being hunted by a police lieutenant. The "whisky priest" is a degraded alcoholic who has broken most of his vows but who nevertheless insists upon performing his duties until the very end, when he is finally captured and executed. The book is a Christian parable, pitting God and religion against 20th-century materialism.
 
Henrik Ibsen                                        Ghosts
A play of stinging contemporaneity--about religious and societal hypocrisy, guilt that feeds on innocence, their terror of the inevitable, and the battle between truth and darkness, freedom and constraint.
 
Henry James                                        Daisy Miller
Originally published in The Cornhill Magazine in 1878 and in book form in 1879, Daisy Miller brought Henry James his first widespread commercial and critical success. The young Daisy Miller, an American on holiday with her mother on the shores of Switzerland’s Lac Leman, is one of James’s most vivid and tragic characters. Daisy’s friendship with an American gentleman, Mr. Winterbourne, and her subsequent infatuation with a passionate but impoverished Italian bring to life the great Jamesian themes of Americans abroad, innocence versus experience, and the grip of fate. As Elizabeth Hardwick writes in her Introduction, Daisy Miller “lives on, a figure out of literature who has entered history as a name, a vision.”
 
Franz Kafka                                         The Trial
A terrifying psychological trip into the life of one Joseph K., an ordinary man who wakes up one day to find himself accused of a crime he did not commit, a crime whose nature is never revealed to him. Once arrested, he is released, but must report to court on a regular basis--an event that proves maddening, as nothing is ever resolved. As he grows more uncertain of his fate, his personal life--including work at a bank and his relations with his landlady and a young woman who lives next door--becomes increasingly unpredictable. As K. tries to gain control, he succeeds only in accelerating his own excruciating downward spiral.
 
James Jones                                        From Here to Eternity
This is a long, satisfying, commanding novel of the soldiers who were poised on the brink of real manhood when World War II flung them unceremoniously into that abyss. Private Robert E. Lee Prewitt is the nonconformist hero who refuses to box at Schofield Barracks and is slowly destroyed by his own rebelliousness. Around him, others are fighing their own small battles--and losing. It's worth noting that Jones' 1951 audience was shocked by his frank language and the sexual preoccupations of his characters.
 
Sinclair Lewis                                      Babbitt
George E. Babbitt, a conniving, prosperous real estate man from Zenith, Ohio, revels in his popularity, his success, and, especially, in the material rewards they bring. He bullies his wife, flirts with other women, and patronizes the less successful. But when his best friend is sent to prison for killing his wife, Babbitt's middle-class complacency is shattered, and he rebels, seeking a more "meaningful" life. His small revolt is quickly defeated, however, by public opinion and his own need for acceptance. Babbitt captures the flavor of America during the economic boom years of the 1920s, and its protagonist has become the symbol of middle-class mediocrity, his name an enduring part of the American lexicon
 
Jack London                                        Martin Eden
Set in San Francisco, this is the story of Martin Eden, an impoverished seaman who pursues, obsessively and aggressively, dreams of education and literary fame. London, dissatisfied with the rewards of his own success, intended Martin Eden as an attack on individualism and a criticism of ambition; however, much of its status as a classic has been conferred by admirers of its ambitious protagonist.
 
Niccolo Machiavalli                             The Prince
Machiavelli's The Prince defined modern politics - and is still an excellent guide to everyone who lives among other humans and tries to influence them, from high public office to office politics. This excellent translation by W.K. Marriott offers all of Machiavelli's cynical and often controversial advice on betrayal, shifting allegiances, warfare and the role of the citizenry, as well as how to handle annexing your neighbors, bad press, bad advisers, flatterers, and taxation.
 
Gabriel Maria Marquez                        100 Years of Solitude
Probably García Márquez finest and most famous work. One Hundred Years of Solitude tells the story of the rise and fall, birth and death of a mythical town of Macondo through the history of the Buendía family. Inventive, amusing, magnetic, sad, alive with unforgettable men and women, and with a truth and understanding that strike the soul. One Hundred Years of Solitude is a masterpiece of the art of fiction.

Arthur Miller                                        The Crucible
A classic of the American Theatre - Arthur Miller's tense, ingeniously multi-layered drama of principle and paranoia. The place is Salem, Massachusetts in 1692, an enclave of rigid piety huddled on the edge of a wilderness. Its inhabitants believe unquestioningly in their own sanctity. But in Arthur Miller's edgy masterpiece, that very belief will have poisonous consequences when a vengeful teenager accuses a rival of witchcraft and then when those accusations multiply to consume the entire village. First produced in 1953, at a time when America was convulsed by a new epidemic of witch hunting, The Crucible brilliantly explores the threshold between individual guilt and mass hysteria, personal spite and collective evil. It is a play that is not only relentlessly suspenseful and vastly moving, but that compels listeners to gather their hearts and consciences in ways that only the greatest theater ever can.
 
John Milton                                          Paradise Lost
The greatest epic poems in English literature, a profound exploration of the moral problems of God's justice. It demonstrates Milton's genius for classicism and innovation, narrative and drama-and are a grand example of what Samuel Johnson called his "peculiar power to astonish."
Flannery O’Connor                              Wise Blood
This darkly comic and disturbing novel about religious beliefs was noted for its witty characterizations, ironic symbolism, and use of Southern dialect. Wise Blood centers on Hazel Motes, a discharged serviceman who abandons his fundamentalist faith to become a preacher of anti-religion in a Tennessee city, establishing the "Church Without Christ." Motes is a ludicrous and tragic hero who meets a collection of equally grotesque characters. One of his young followers, Enoch Emery, worships a museum mummy. Hoover Shoats is a competing evangelist who creates the "Holy Church of Christ Without Christ." Asa Hawks is an itinerant preacher who pretends to have blinded himself to show his faith in redemption.
George Orwell                         Homage to Catalonia
In 1936 Eric Blair, a novelist, critic and political satirist known by the pseudonym George Orwell, went to Spain to write about the Spanish Civil War. This book is his eyewitness account of that conflict. Nothing written since is as moving and alive with the terrors and triumphs of that time past. Orwell battled totalitarianism through his novels ANIMAL FARM and 1984, but for immediacy and passion nothing surpasses this chronicle.
 
Eric Maria Remarque               All Quiet on the Western Front
Paul Baumer enlisted with his classmates in the German army of World War I. Youthful, enthusiastic, they become soldiers. But despite what they have learned, they break into pieces under the first bombardment in the trenches. And as horrible war plods on year after year, Paul holds fast to a single vow: to fight against the principles of hate that meaninglessly pits young men of the same generation but different uniforms against each other--if only he can come out of the war alive.
Edmond Rostand                                 Cyrano de Bergerac
Verse drama in five acts by Edmond Rostand, performed in 1897 and published the following year. Set in 17th-century Paris, the action revolves around the emotional problems of the noble, swashbuckling Cyrano, who, despite his many gifts, feels that no woman can ever love him because he has an enormous nose. Secretly in love with the lovely Roxane, Cyrano agrees to help his inarticulate rival, Christian, win her heart by allowing him to present Cyrano's love poems, speeches, and letters as his own work. Eventually Christian recognizes that Roxane loves him for Cyrano's qualities, not his own, and he asks Cyrano to confess his identity to Roxane; Christian then goes off to a battle that proves fatal. Cyrano remains silent about his own part in Roxane's courtship. As he is dying years later, he visits Roxane and recites one of the love letters. Roxane realizes that it is Cyrano she loves, and he dies content.
Upton Sinclair                          The Jungle
Upton Sinclair's The Jungle is a vivid portrait of life and death in a turn-of-the-century American meat-packing factory. A grim indictment that led to government regulations of the food industry, The Jungle is Sinclair's extraordinary contribution to literature and social reform.
Willian Styron                          Confessions of Nat Turner
The Confessions of Nat Turner is not only a masterpiece of storytelling; is also reveals in unforgettable human terms the agonizing essence of Negro slavery. Through the mind of a slave, Willie Styron has re-created a catastrophic event, and dramatized the intermingled miseries, frustrations--and hopes--which caused this extraordinary black man to rise up out of the early mists of our history and strike down those who held his people in bondage.
 
Alfred Tennyson                                  The Idylls of the King
The longest and most ambitious work of his career, Idylls is a reflection of Tennyson's lifelong interest in Arthurian themes. His personification of Arthur, the highest ideal of manhood and leadership, is achieved through a delicacy of phrase and metrical effect that are unmatched.
Nathaniel West                                    The Day of the Locust
Novel by Nathanael West about the savagery lurking beneath the Hollywood dream. Published in 1939, it is one of the most striking examples of the "Hollywood novel" in American fiction. Tod Hackett, a set designer, becomes involved in the lives of several individuals who have been warped by their proximity to the artificial world of Hollywood. Hackett's completion of his painting "The Burning of Los Angeles" coincides with the explosion of the other characters' unfulfilled dreams in a conflagration of riot and murder.
 
Herman Wouk                          The Caine Mutiny
The Caine Mutiny grew out of Wouk's experiences aboard a destroyer-minesweeper in the Pacific in World War II. The novel focuses on Willie Keith, a rich New Yorker assigned to the USS Caine, who gradually matures during the course of the book. But the work is best known for its portrayal of the neurotic Captain Queeg, who becomes obsessed with petty infractions at the expense of the safety of ship and crew. Cynical, intellectual Lieutenant Tom Keefer persuades loyal Lieutenant Steve Maryk that Queeg's bizarre behavior is endangering the ship; Maryk reluctantly relieves Queeg of command. Much of the book describes Maryk's court-martial and its aftermath.
 



Things to be Careful of with Book Reports
 
1 – Always double space. The teacher needs room to make comments.
 
2 – Always underline book titles (or italicize, if you have a computer). Book titles never, never, never go in quotation marks. Other things that are underlined are the names of newspapers, magazines, movies, operas, record albums, etc.
 
3 – Don’t switch tenses in the middle of a report. Stick with either the present or the past. Too many students switch tenses within the same sentence; e.g. “The girl fell down but Mrs. Rappaport comes and helps her.”
 
4 – Watch out for run-on sentences that just go on and on and even if your idea changes to something else that might be in another paragraph, such as a story about Joan of Arc, you just can’t stop that sentence from running all up and down the page, which, by the way, should always be double spaced.
 
5 – Fragments. Don’t. Writing in fragments, which don’t have a subject and a verb.   Causing much confusion in the reader. Because your sentences need to breathe, and have a beginning, middle, and end.
 
Don’t write in fragments. Be sure that every sentence has a subject and a verb. 
 
6 – Always proofread everything you have written. Expect to write a first draft. Then expect to read it and edit it – cutting out unnecessary words, fixing spelling, etc. Then write the new draft and proofread it. If you find more errors, or areas that need fine-tuning, rewrite the paper again. DON’T EXPECT YOUR FIRST DRAFT TO BE THE FINAL DRAFT – IT NEVER IS!
 
 
 
Your Name
English
Book Report
Date due (day month year: 8 Sept 2009)
 
HHWS Book Report Guidelines – 5 Paragraph Essay
 
Heading, Title, and General Format
            Identify student, class, assignment, due date, and page number as illustrated above. Put the last name and page number in the header function of your computer.. Create an original title, uniquely relevant to this essay (not the book's title). Center it on the page, not underlined, below the heading and above the first paragraph. Double space and use a legible 12-point font and one-inch margins throughout. Staple multiple pages together.
 
Introduction (first paragraph)
            Begin with a catchy opening statement. Go on to identify the book's title (underlined or italicized), author, type of work (eg. historical novel, not "fictional novel" or just "book"—all novels are fictional, all novels are books), genre (look it up!), and major themes. Briefly introduce the main characters and describe the setting (time and place). If you wish, you may also mention other titles by the author and /or pertinent details of the author's background. The last sentence of the introduction MUST be a thesis statement that previews the ideas you will explore in paragraphs 2, 3, and 4. Be certain that there is a direct connection between this statement and the topic sentence of each of your three body paragraphs (below).
 
Synopsis (second paragraph)
Begin this paragraph with the book's main idea in a single topic sentence. Go on to present a complete but concise synopsis of the book in one paragraph. This is a brief sketch of what happens: the beginning, the middle, and the end. Think about the major conflict, the rising action, the climax of the story, and the resolution. Keep it brief.
                                                                                                                                        
Observations (third and fourth paragraphs)
            In each of these two paragraphs, narrow the discussion to a significant topic. Begin each paragraph with a topic sentence that makes an observation about a particular aspect of the book: a character, a feature of the plot, an element of style, or a theme. Go on to support and expand upon your idea with specific examples, incidents, details, and at least one relevant quote from the book. Write in flowing sentences, weaving these elements from the book into your writing, not simply listing them. (Cite the page number for each quote used.) End each paragraph with a wrap-up sentence that ties your examples and details together in support of your topic sentence; show how they add up to your main point, what they have in common. The paragraph that makes the most important point should be the fourth one, right before your conclusion.
 
Conclusion (fifth paragraph)
Begin this paragraph with your reaction to this piece of literature, your response to it as a reader. Avoid writing, "I think," "I feel," "I believe," or "In my opinion," but do try to expresss how the work has affected you, deepened your understanding, alerted or enlightened you (or even a wider audience) in some way. Go on to integrate the themes of your three body paragraphs and your essay's unique title, revealing how they relate to one another. End with a thoughtful closing statement: a concluding remark for the whole report. This could be your most important evaluative point, an intriguing twist on your title, a fitting quote, or a compelling question.            (Hint: Save time to sleep on it, read it aloud, and revise.)



Book Report Grading

, ________________________________________________________________
                        Student                                                Class                                       Date
 
High School Book Report__________________________________________
 
                                                                                                                          
I.   Introduction                         ____    A. Opening Statement                                  
                                                ____    B. Title, author, genre, theme                       
                                                ____  C. Main characters, setting                           
                                                ____    D. Thesis statement                                               
 
II.   Synopsis                            ____    A. Complete                                                  
                                                ____    B. Concise (a paragraph, not a lengthy summary)                                      
 
III. Observation #1                  ____    A. Topic sentence                                      
                                                ____    B. Support for topic                                       
                                                ____    C. Supporting quote(s)                                 
                                                ____    D. Wrap-up sentence                                              
 
IV. Observation #2                 ____    A. Topic sentence                                      
                                                ____    B. Support for topic                                       
                                                ____    C. Supporting quote(s)                                 
                                                ____    D. Wrap-up sentence (+)                            
 
V.   Conclusion                        ____    A. Writer’s reaction                                     
                                                ____    B. Integration of themes                                
                                                ____    C. Closing statement                                   
 
 
Extra credit for style                ____    A. Transitions                                               
                                                ____    B. Language                                     
                                                ____    C. Voice                                                       
 
                                                                                   
 
VII. Mechanics                        ____    A. Heading and header (see top of page)
                                                ____    B. Title                       
                                                ____    C. Format (5 paragraph essay)                                                                                             ____    D. Spell./punct./cap.                                     
                                                ____    E. Grammar (tenses, person, etc.)            
                                                ____    F. Fluency, clarity                                        
           
                                                                                   
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